Articles with keyword: Symmetry and Natural Laws

Pythagoras: We are all Pythagoreans
Xenophon Dion. Moussas xmoussas@phys.uoa.gr xdmoussas@gmail.com

ELECTRYONE 

2025
Volume 10, Issue 1

 | pp.

36-61

Abstract:

Modern science is the natural continuation of Pythagorean view of nature based on mathematics, as commands Pythagoras philosophy. Pythagoras, considering that numbers, symmetries and harmonies are the first principles of nature, laid the foundations of scientific thought, continuing the work of Thales. Pythagoras is not just an ancient philosopher, but the first to grasp the deeper idea that nature is not simply described by mathematics—it is mathematics in itself. This worldview is expressed in modern physics with the theories of symmetry and the search for fundamental laws. Just as the Pythagoreans saw in the ratio 1:2 or 2:3 the harmony of the universe, so physicists today recognize in the symmetries of the fields SU(2), SU(3), U(1) the harmonious structure of the microcosm. The mathematical equations that govern the universe are the modern expression of Pythagoras' "music of the spheres". Even the search for the Theory of Everything (a greek term, Θεωρία Παντός) is nothing more than the attempt to discover the perfect cosmic agreement, the one and harmonious law that unites everything, as expected in modern physics. For the Pythagoreans, beauty, simplicity, and symmetry were criteria of truth and beauty. The same happens in modern science, where the most successful theories are distinguished by their elegance. The world, therefore, is presented as a mathematical and musical instrument, where every phenomenon is a note of a universal rhythm. Thus, the Pythagorean idea of numerical harmony remains alive: nature is number and order, and we, in search of its mathematical essence, are all Pythagoreans. It is quite normal that Pythagoras was transformed from a philosopher into a legendary and semi-divine figure already in ancient and late antiquity. Proportions such as 2:1 (octave), 3:2 (fifth), 4:3 (fourth) become metaphors for cosmic relationships. Pythagorean-Platonic emphasis on number to argue that harmony in music mirrors harmony in the heavens and within the soul.3